DECEMBER 2024
THE LATEST NEWS FROM DYNAMIX
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DECEMBER 2024
THE LATEST NEWS FROM DYNAMIX
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The Gilligan's Island Radio
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The Gilligan's Island Radio
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Has there ever been a more famous radio in TV Land than the white radio on Gilligan's Island? I mean there were a few radio stations that were well known, like WKRP from WKRP in Cincinnati and WENN from Remember WENN. There were characters on the radio, like Frasier, Johnny Fever, or Alan Partridge. There were even famous radio shows that were turned into TV shows, like Gunsmoke, Dragnet, and The Lone Ranger. But few radios themselves have become stars.
The closest I can dig up are these contenders:
- The 1939 Zenith 12S232 from The Waltons. The family would gather around the tombstone-style radio and "watch" it while listening to important news.
- The police radio in Adam-12. Though that changed over the series run, it wasn't commercial radio.
- The 1957 General Electric 862 "Atomic Dial Beam" tube radio in the kitchen on Leave it to Beaver. Other radios played a role in the TV family's lives.
- The "Bat Radio" from the 1966 Batman series. Not a commercial radio receiver, but man was it cool.
- The police radios mounted on the motorcycles in CHiPs. Multiple radios, non-commercial.
- The Realistic TRC 219 walkie-talkies used in Stranger Things. CB radios, not commercial radios.
- The communicators in Star Trek. Handheld electric razors turned props in the original series, Com-Badges in The Next Generation. Again, two-way communicators. I bet they could pick up some still traveling transmissions of old radio shows from 1030s Earthlings if they traveled out far enough.
- The exploding radio in Monty Python. "And now, Radio Four will explode." (radio explodes). I hardly knew ye.
I don't think any of these hold a candle to the Gilligan radio. After all, the radio itself was a character, much like the Starship Enterprise on Star Trek, the TARDIS in Dr. Who, or the red phone in 24. When it talked, people listened.
And speaking of talk, let's talk about the radio itself. It was a Packard Bell AR-851 8-transistor radio, first released in 1964. There was also an Aiwa AR851 that was very similar. The Packard Bell version was likely made by Aiwa and rebadged for them. The radio operated on four D-cell batteries that fit into two battery tubes in the back. The radio received the AM band only, and only had controls for volume and tuning.
The first actual white radio used (there may have been more than one used during the series) belonged to the show creator Sherwood Schwartz. He liked to listen to Dodgers games on it in his office. Which character owned it is debated. Early on, it was implied that the Skipper owned it. In a later episode, Mr. Howell declared that he had provided it. Isn't it amazing how much stuff everyone brought for a three hour cruise (🎵 A three hour cruise 🎵. LIGHTNING BOLT!!!)?
There was another radio before the Packard Bell however. In publicity pictures taken before filming began, the cast is pictured with a Magnavox Celestial model FM-97. This is further proof that the radio was thought of as an additional character (🎵 and the rest 🎵). That radio had four bands, two telescoping antennas, and stood upright with a big black grill. (Hands down this would be the radio I would have brought on a three hour cruise on a dodgy boat with a questionable crew. And by the way, I would have turned it on before we left dock to check if any hurricanes were coming.) But the producers preferred the white radio because it would stand out better. Remember, this was black-and-white television in the mid-1960s – picture detail was almost nonexistent. There was a Hallicrafters S-40A radio in one episode disguised as a tranceiver. It was repainted black by the props department.
Speaking of the prop department, they altered the Packard Bell radio a bit. They stuck a handle on top (which I think we had on our kitchen cabinets) and installed a telescoping antenna. The handle was a nice touch. I couldn't find if a leather carrying case with handle was ever optional, but this unit was designed as a movable tabletop radio. The antenna is visually nice, but completely unneeded. AM radios usually come with a loop antenna installed inside the cabinet. For better reception, a larger external AM antenna would have a loop design resembling a hoop or diamond. A vertical telescoping antenna found on the white radio prop is best for FM reception. And remember, our little white radio doesn't have an FM band.
Let's talk about reception. AM radio signals, which often bounce off the atmosphere, usually travel many times farther than FM, but at the cost of fidelity and noise. On water FM radio waves, which travel in straight lines, is quite good – until the curvature of the earth and the laws of physics get in the way.
And speaking of great distances, how far away from Hawai'i is Gilligan's Island? In one episode, a pilot calculated 250 miles away. Over at SlashFilm, they've posited 876 miles at the most, considering the model of boat, departure harbor, rate of travel, blown by typical hurricane force winds, time adrift, and ocean currents. That's the distance from Lexington to Miami, or in nautical terms from Miami to Puerto Rico. On a clear day, it's possible Gilligan could have heard one of sixteen AM radio stations from the main land, although I doubt they would have been really clear at that distance. On a summer night however, I believe they would be able to pick up not only multiple Hawai'i stations, but some from southern California, Mexico, Cook Islands, and perhaps New Zealand and Australia.
The big elephant in the room is how can a radio run three years (and counting) on one set of batteries? In one episode, the Professor figured out how to recharge them using coconut shells and seawater. This, by the way, is a real thing. In fact, in a 2022 breakthrough, researchers at Cambridge University built a supercapacitor using coconut shells and seawater that absorbs CO2 as it charges. +1 for the Professor – now fix the damn boat.
How about a radio that doesn't need batteries? Not a crystal radio, but a Gilligan radio. After a blow to the head, Gilligan's tooth fillings become a radio. There's no telling what will come out of little buddy's mouth.
Speaking of mouth, the radio announcer for the first season (uncredited) was Charles Maxwell. A prolific charactor actor, Maxwell may be best known to Star Trek fans as Virgil Earp in the episode "Spectre of the Gun." This native Long Islander had a "cowboy" face, and was thus cast in many westerns of the time.
Want one of these radios for yourself? Well be ready to pay up, modified original radios in mint shape go for nearly $2,000. Unmodified ones are still several hundred dollars, no matter what condition they're in. Some enterprising sellers are marketing replicas, and others are using 3D printers to make their own replicas (hollow of course, they have to supply their own broadcasts).
Maybe you could spring for a Funko Pop vinyl figure. One "action figure" from the Gilligan's Island set is Professor holding the radio. Curious as to what the castaways listened to? One person with way too much time on their hands has compiled every radio broadcast. That's two and a half hours worth! Or get a laugh (and maybe a fright from the too weird clown on screen) of an excellent mashup of the Gilligan's Island theme and Led Zepelin's "Stairway to Heaven."
Catchy lyrics, huh? I'd only alter one phrase:
No phone, no lights no motor cars, Not a single luxury, (except for a radio...and money...and lots of clothes and jewelry) Like Robinson Crusoe, As primitive as can be.
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Has there ever been a more famous radio in TV Land than the white radio on Gilligan's Island? I mean there were a few radio stations that were well known, like WKRP from WKRP in Cincinnati and WENN from Remember WENN. There were characters on the radio, like Frasier, Johnny Fever, or Alan Partridge. There were even famous radio shows that were turned into TV shows, like Gunsmoke, Dragnet, and The Lone Ranger. But few radios themselves have become stars.
The closest I can dig up are these contenders:
- The 1939 Zenith 12S232 from The Waltons. The family would gather around the tombstone-style radio and "watch" it while listening to important news.
- The police radio in Adam-12. Though that changed over the series run, it wasn't commercial radio.
- The 1957 General Electric 862 "Atomic Dial Beam" tube radio in the kitchen on Leave it to Beaver. Other radios played a role in the TV family's lives.
- The "Bat Radio" from the 1966 Batman series. Not a commercial radio receiver, but man was it cool.
- The police radios mounted on the motorcycles in CHiPs. Multiple radios, non-commercial.
- The Realistic TRC 219 walkie-talkies used in Stranger Things. CB radios, not commercial radios.
- The communicators in Star Trek. Handheld electric razors turned props in the original series, Com-Badges in The Next Generation. Again, two-way communicators. I bet they could pick up some still traveling transmissions of old radio shows from 1030s Earthlings if they traveled out far enough.
- The exploding radio in Monty Python. "And now, Radio Four will explode." (radio explodes). I hardly knew ye.
I don't think any of these hold a candle to the Gilligan radio. After all, the radio itself was a character, much like the Starship Enterprise on Star Trek, the TARDIS in Dr. Who, or the red phone in 24. When it talked, people listened.
And speaking of talk, let's talk about the radio itself. It was a Packard Bell AR-851 8-transistor radio, first released in 1964. There was also an Aiwa AR851 that was very similar. The Packard Bell version was likely made by Aiwa and rebadged for them. The radio operated on four D-cell batteries that fit into two battery tubes in the back. The radio received the AM band only, and only had controls for volume and tuning.
The first actual white radio used (there may have been more than one used during the series) belonged to the show creator Sherwood Schwartz. He liked to listen to Dodgers games on it in his office. Which character owned it is debated. Early on, it was implied that the Skipper owned it. In a later episode, Mr. Howell declared that he had provided it. Isn't it amazing how much stuff everyone brought for a three hour cruise (🎵 A three hour cruise 🎵. LIGHTNING BOLT!!!)?
There was another radio before the Packard Bell however. In publicity pictures taken before filming began, the cast is pictured with a Magnavox Celestial model FM-97. This is further proof that the radio was thought of as an additional character (🎵 and the rest 🎵). That radio had four bands, two telescoping antennas, and stood upright with a big black grill. (Hands down this would be the radio I would have brought on a three hour cruise on a dodgy boat with a questionable crew. And by the way, I would have turned it on before we left dock to check if any hurricanes were coming.) But the producers preferred the white radio because it would stand out better. Remember, this was black-and-white television in the mid-1960s – picture detail was almost nonexistent. There was a Hallicrafters S-40A radio in one episode disguised as a tranceiver. It was repainted black by the props department.
Speaking of the prop department, they altered the Packard Bell radio a bit. They stuck a handle on top (which I think we had on our kitchen cabinets) and installed a telescoping antenna. The handle was a nice touch. I couldn't find if a leather carrying case with handle was ever optional, but this unit was designed as a movable tabletop radio. The antenna is visually nice, but completely unneeded. AM radios usually come with a loop antenna installed inside the cabinet. For better reception, a larger external AM antenna would have a loop design resembling a hoop or diamond. A vertical telescoping antenna found on the white radio prop is best for FM reception. And remember, our little white radio doesn't have an FM band.
Let's talk about reception. AM radio signals, which often bounce off the atmosphere, usually travel many times farther than FM, but at the cost of fidelity and noise. On water FM radio waves, which travel in straight lines, is quite good – until the curvature of the earth and the laws of physics get in the way.
And speaking of great distances, how far away from Hawai'i is Gilligan's Island? In one episode, a pilot calculated 250 miles away. Over at SlashFilm, they've posited 876 miles at the most, considering the model of boat, departure harbor, rate of travel, blown by typical hurricane force winds, time adrift, and ocean currents. That's the distance from Lexington to Miami, or in nautical terms from Miami to Puerto Rico. On a clear day, it's possible Gilligan could have heard one of sixteen AM radio stations from the main land, although I doubt they would have been really clear at that distance. On a summer night however, I believe they would be able to pick up not only multiple Hawai'i stations, but some from southern California, Mexico, Cook Islands, and perhaps New Zealand and Australia.
The big elephant in the room is how can a radio run three years (and counting) on one set of batteries? In one episode, the Professor figured out how to recharge them using coconut shells and seawater. This, by the way, is a real thing. In fact, in a 2022 breakthrough, researchers at Cambridge University built a supercapacitor using coconut shells and seawater that absorbs CO2 as it charges. +1 for the Professor – now fix the damn boat.
How about a radio that doesn't need batteries? Not a crystal radio, but a Gilligan radio. After a blow to the head, Gilligan's tooth fillings become a radio. There's no telling what will come out of little buddy's mouth.
Speaking of mouth, the radio announcer for the first season (uncredited) was Charles Maxwell. A prolific charactor actor, Maxwell may be best known to Star Trek fans as Virgil Earp in the episode "Spectre of the Gun." This native Long Islander had a "cowboy" face, and was thus cast in many westerns of the time.
Want one of these radios for yourself? Well be ready to pay up, modified original radios in mint shape go for nearly $2,000. Unmodified ones are still several hundred dollars, no matter what condition they're in. Some enterprising sellers are marketing replicas, and others are using 3D printers to make their own replicas (hollow of course, they have to supply their own broadcasts).
Maybe you could spring for a Funko Pop vinyl figure. One "action figure" from the Gilligan's Island set is Professor holding the radio. Curious as to what the castaways listened to? One person with way too much time on their hands has compiled every radio broadcast. That's two and a half hours worth! Or get a laugh (and maybe a fright from the too weird clown on screen) of an excellent mashup of the Gilligan's Island theme and Led Zepelin's "Stairway to Heaven."
Catchy lyrics, huh? I'd only alter one phrase:
No phone, no lights no motor cars, Not a single luxury, (except for a radio...and money...and lots of clothes and jewelry) Like Robinson Crusoe, As primitive as can be.
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Push the Right Buttons
A Practical Guide to Becoming and Succeeding as an Audio Engineer and Producer
Know someone that is looking to get into the audio industry? Are you curious about the magic that goes on behind the curtain? Then this book will push the right buttons.
Tape Op reviewed my book:
The next time someone asks me for advice on a career in pro audio I will immediately recommend this book, but with a few instructions: Do not skim read it. Read every one of its 585 pages and then read it again. Take notes. Take more notes. Follow every single suggestion about how to behave in professional situations. Learn how to dress properly for the job, and how to take care of your body when the long days occur (and they will). And do all of this with a smile on your face and a positive attitude.
-Larry Crane
Radio World reviewed it:
'If there was ever a single book that could give aspiring audio engineers an accurate look at the career, "Push the Right Buttons: A Practical Guide to Becoming and Succeeding as an Audio Engineer and Producer" is it."
-James Careless
Excerpt from the book:
"Mixing for a live audience can be a huge thrill and a terrifying experience, all at the same time. Like live broadcast mixing, the fewer controls, the better. However, live sound requires many precise and minuscule adjustments beforehand. Many live sound consoles are similar to, or can double as recording consoles. They usually contain additional controls and functions that only live sound engineers use. The main goal for a live sound engineer is to prevent the main speakers from bleeding back into the stage microphones and causing squeal. Live sound engineers reduce this feedback by cutting (muting) very small slices of equalization out of each microphone input at the frequency where feedback occurs. Sometimes computer-assisted feedback reduction is employed that automatically finds and cuts the problem frequencies. During the live show though, more small adjustments are usually necessary.
The second main goal of a live sound engineer is to obtain as much gain out of the amplifier and speakers before feedback occurs. If the amplifiers and speakers are correctly matched to the size of the venue (square footage and audience size), then this is usually not an issue. Problems arise when the power output of the equipment is undersized for the audience. Pushing the equipment's output beyond its limits will usually create uncontrolled feedback, distortion, and a lot of dissatisfied patrons. Having an over-powered PA system can also create problems like feedback, hearing damage, and overheating of the amplifiers if they are operated far below the intended working range.
The third goal of a live sound engineer is to know the "script" and cues of the program. Concerts and stage events are usually rehearsed, notes are taken, and the engineer will practice fader movements. Digital consoles allow different scenes to be created. The scene function on a console memorizes default fader positions, mutes, EQs, etc. Each scene can be recalled for each program segment. Well-funded large arena concerts, Broadway shows, and other recurring events will use mixing consoles that can memorize fader, mute and EQ adjustments. These consoles use motorized faders (like software mixers and fader packs) for a semi-automated live mix. The programs are usually timed with a master clock that the performers, lighting, video, and other production personnel can also use to automate cues and effects."
•Paperback version, 585 pages •eBook version
•Audiobook version
More on our web site here.
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Dynamix Productions, Inc. is an audio production facility in the heart of thoroughbred horse country, Lexington, Kentucky. Some of the many audio services we provide are: sound-for-picture, corporate communications, advertising, narrations, audiobooks, podcasts, live broadcast, SourceConnect, ISDN, location and remote recording, restoration, and tape/LP to digital transfers.
Since our opening 20 years ago in 2003, we have won or been a part of nearly 100 awards; including more than 75 ADDY's (American Advertising Federation), 10 Telly's, 2 Silver Microphones, 1 PRSA (Public Relations Society of America), an Eclipse Award, and an Emmy nomination.
Why do professionals from desktop producers to Fortune 50 companies choose Dynamix for the highest level of production? We Listen.
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Dynamix Productions, Inc. is an audio production facility in the heart of thoroughbred horse country, Lexington, Kentucky. Some of the many audio services we provide are: sound-for-picture, corporate communications, advertising, narrations, audiobooks, podcasts, live broadcast, SourceConnect, ISDN, location and remote recording, restoration, and tape/LP to digital transfers.
Since our opening 20 years ago in 2003, we have won or been a part of nearly 100 awards; including more than 75 ADDY's (American Advertising Federation), 10 Telly's, 2 Silver Microphones, 1 PRSA (Public Relations Society of America), an Eclipse Award, and an Emmy nomination.
Why do professionals from desktop producers to Fortune 50 companies choose Dynamix for the highest level of production? We Listen.
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Audiobooks:
- "One Wylde Knight" by Kathryn LeVeque, narrated by Brad Wills
- "Alice in Winter Wonderland", by Janet Allard and Michael Bigelow Dixon, narrated by Cara Meade
Other projects of note were:
- ADR with actor Steve Zahn for the Apple TV series "Silo" (Apple, Inc.)
- UK HealthCare Family and Community Medicine radio campaign (Team Cornett, Lexington, KY)
- Radio music loop for Southern Lights drving tour (Kentucky Horse Park, Lexington, KY)
- "Thought Bubble / Essential Quality" TV soundtrack (Godolphin, Lexington, KY)
- ADR with actor Steve Zahn for the film "She Dances" (Macaroni Art, Midway, KY)
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Audiobooks:
- "One Wylde Knight" by Kathryn LeVeque, narrated by Brad Wills
- "Alice in Winter Wonderland", by Janet Allard and Michael Bigelow Dixon, narrated by Cara Meade
Other projects of note were:
- ADR with actor Steve Zahn for the Apple TV series "Silo" (Apple, Inc.)
- UK HealthCare Family and Community Medicine radio campaign (Team Cornett, Lexington, KY)
- Radio music loop for Southern Lights drving tour (Kentucky Horse Park, Lexington, KY)
- "Thought Bubble / Essential Quality" TV soundtrack (Godolphin, Lexington, KY)
- ADR with actor Steve Zahn for the film "She Dances" (Macaroni Art, Midway, KY)
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RISE is a documentary series which airs periodically as part of 88.9 WEKU's Eastern Standard weekly radio show/podcast. It came about in response to unprecedented flooding experienced by many southeastern Kentucky communities in July of 2022. The first six episodes, which aired for six consecutive weeks, explored what contributed to the disaster, how communities responded and the leadership, programs and resources needed to address the challenges and opportunities ahead.
The RISE series is produced by a team of reporters, producers, and external collaborators, including Dynamix Productions in Lexington. The team is led by Tom Martin, who is the host and senior editor of Eastern Standard. The team's goal is to explore important policy issues affecting a region that is in transition due to shifting economic, social, environmental, and political realities.
Since the first six episodes aired, the RISE team has continued to produce occasional episodes focused on specific issues of importance to Eastern Kentucky. RISE is also available on Apple and Spotify.
Listen to all the episodes online at www.weku-rise.org.
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RISE is a documentary series which airs periodically as part of 88.9 WEKU's Eastern Standard weekly radio show/podcast. It came about in response to unprecedented flooding experienced by many southeastern Kentucky communities in July of 2022. The first six episodes, which aired for six consecutive weeks, explored what contributed to the disaster, how communities responded and the leadership, programs and resources needed to address the challenges and opportunities ahead.
The RISE series is produced by a team of reporters, producers, and external collaborators, including Dynamix Productions in Lexington. The team is led by Tom Martin, who is the host and senior editor of Eastern Standard. The team's goal is to explore important policy issues affecting a region that is in transition due to shifting economic, social, environmental, and political realities.
Since the first six episodes aired, the RISE team has continued to produce occasional episodes focused on specific issues of importance to Eastern Kentucky. RISE is also available on Apple and Spotify.
Listen to all the episodes online at www.weku-rise.org.
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Dynamix Productions, and WEKU-FM, Eastern Kentucky University's public radio station in Richmond, KY, partnered in 2018 to move primary production of the popular long-running radio program EASTERN STANDARD to the studios of Dynamix. The first program produced at Dynamix aired on July 19, 2018. By bringing the production to Lexington, producers have easier access to Central Kentucky business, healthcare, and education leaders, as well as local artists, entertainers, and other newsmakers. The move underlines WEKU's commitment to providing the area's most concise and in-depth coverage of news, issues, and ideas that directly affect Central Kentuckians.
Hosted by network news veteran Tom Martin, EASTERN STANDARD is a public affairs program that covers a broad range of topics of interest to Kentuckians. Resources for topics include WEKU's reporting partner, the Ohio Valley ReSource, a partnership with seven public media outlets across three states; the Kentucky Center for Investigative Reporting; and National Public Radio. EASTERN STANDARD can be heard Thursdays at 11:00 AM / 8:00 PM and Sundays at 6:00 PM on 88.9 WEKU-FM, and online at www.esweku.org.
Did you miss the live show? Listen online.
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Dynamix Productions, and WEKU-FM, Eastern Kentucky University's public radio station in Richmond, KY, partnered in 2018 to move primary production of the popular long-running radio program EASTERN STANDARD to the studios of Dynamix. The first program produced at Dynamix aired on July 19, 2018. By bringing the production to Lexington, producers have easier access to Central Kentucky business, healthcare, and education leaders, as well as local artists, entertainers, and other newsmakers. The move underlines WEKU's commitment to providing the area's most concise and in-depth coverage of news, issues, and ideas that directly affect Central Kentuckians.
Hosted by network news veteran Tom Martin, EASTERN STANDARD is a public affairs program that covers a broad range of topics of interest to Kentuckians. Resources for topics include WEKU's reporting partner, the Ohio Valley ReSource, a partnership with seven public media outlets across three states; the Kentucky Center for Investigative Reporting; and National Public Radio. EASTERN STANDARD can be heard Thursdays at 11:00 AM / 8:00 PM and Sundays at 6:00 PM on 88.9 WEKU-FM, and online at www.esweku.org.
Did you miss the live show? Listen online.
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TELEVISION PROGRAMS PRODUCED AT DYNAMIX
THE RIGHTEOUS GEMSTONES on HBO
From Danny McBride (HBO's Vice Principals), this critically acclaimed comedy follows a world-famous televangelist family with a long tradition of deviance, greed, and charitable work. Left flailing in the wake of their patriarch Eli Gemstone's (John Goodman) semi-retirement, Season 3 finds Jesse (McBride), Judy (Edi Patterson), and Kelvin (Adam Devine) in charge of the vast Gemstone empire. When their long-lost cousins come out of the woodwork, the siblings must work together if they want to keep the Gemtsone legacy intact. An irreverent look at the lives of holy rollers, The Righteous Gemstones explores the salacious world of those who offer salvation… to the highest bidder.
GEORGE & TAMMY on Showtime
A limited series chronicling country music's king and queen, George Jones and Tammy Wynette, whose wild and troubled love story inspired some of the most iconic music of all time.
SCOTT'S VACATION HOUSE RULES on HGTV
Scott turns problem properties into profit in his new series, Scott's Vacation House Rules. With years of smart real estate investing and renovation experience, Scott and his secret design weapon, Debra Salmoni, unlock the rental potential of even the most uninspired properties. Finding and transforming tired, dated, and rundown spaces into unique and buzz-worthy Canadian cottage hotspots, the series proves that any dream property is always within reach if you follow Scott's Vacation House Rules.
THE WHITE LOTUS on HBO
A social satire set at an exclusive Hawaiian resort, the series follows the vacations of various hotel guests over the span of a week as they relax and rejuvenate in paradise. But with each passing day, a darker complexity emerges in these picture-perfect travelers, the hotel's cheerful employees, and the idyllic locale itself.
SECRET CELEBRITY RENOVATION on CBS
A new one-hour series that gives celebrities in sports, music and entertainment the chance to gift a surprise home renovation to a meaningful person who helped guide them to success. Hosted by Nischelle Turner (ENTERTAINMENT TONIGHT), SECRET CELEBRITY RENOVATION provides stars with a hands-on opportunity to show their gratitude to someone who has had a significant impact on their life's journey by helping to realize the renovation of their dreams. Those participating in making these heartfelt gifts include Emmy® and GRAMMY® Award-winning singer and choreographer Paula Abdul; award-winning singer-songwriter Lauren Alaina; Emmy®-winning actor and comedian Wayne Brady (LET'S MAKE A DEAL); NFL MVP and CBS sports analyst Boomer Esiason; GRAMMY®-winning artist Eve; Emmy®-nominated actor Jesse Tyler Ferguson; SURVIVOR winner "Boston" Rob Mariano; NBA All-Star Chris Paul; GRAMMY®-winning singer, songwriter and actor Anthony Ramos; and Pro Football Hall of Fame running back Emmitt Smith. The series also features the design team of home improvement contractor and television personality Jason Cameron ("Man Cave," "While You Were Out") and interior designer Sabrina Soto ("Design Star," "Trading Spaces").
ESCAPE TO THE CHATEAU on HGTV
Lieutenant colonel Dick Strawbridge and his partner Angel Adoree trade their English apartment for a dilapidated, 19th-century French chateau. The pair work to restore, renovate and redecorate the estate into a fairytale castle for their upcoming wedding.
YOU LIVE IN WHAT? INTERNATIONAL on HGTV
Architect George Clarke is on a mission to find inspiration for his outrageous, space-age concept house. His journey takes him around the world to meet the visionary people who build and live in some of the most unusual homes ever seen.
COUNTRY COUNTDOWN on The Circle Network
PODCASTS PRODUCED AT DYNAMIX
Democracy Optimist
Democracy Optimist is a thought-provoking public radio series and podcast that delves deep into the heart of democratic processes, elections, and voting rights to ask a simple but vital question: how do we sustain our democracy? The series is hosted by University of Kentucky Election Law research professor Joshua Douglas, a passionate advocate for civic engagement, and produced by WEKU.
The Cancer Crisis in Appalachia
Compelling stories from the next generation of leaders in the fight against cancer in Appalachia. From UK's Markey Cancer Center.
Tales of American History
with Kent Masterson Brown
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TELEVISION PROGRAMS PRODUCED AT DYNAMIX
THE RIGHTEOUS GEMSTONES on HBO
From Danny McBride (HBO's Vice Principals), this critically acclaimed comedy follows a world-famous televangelist family with a long tradition of deviance, greed, and charitable work. Left flailing in the wake of their patriarch Eli Gemstone's (John Goodman) semi-retirement, Season 3 finds Jesse (McBride), Judy (Edi Patterson), and Kelvin (Adam Devine) in charge of the vast Gemstone empire. When their long-lost cousins come out of the woodwork, the siblings must work together if they want to keep the Gemtsone legacy intact. An irreverent look at the lives of holy rollers, The Righteous Gemstones explores the salacious world of those who offer salvation… to the highest bidder.
GEORGE & TAMMY on Showtime
A limited series chronicling country music's king and queen, George Jones and Tammy Wynette, whose wild and troubled love story inspired some of the most iconic music of all time.
SCOTT'S VACATION HOUSE RULES on HGTV
Scott turns problem properties into profit in his new series, Scott's Vacation House Rules. With years of smart real estate investing and renovation experience, Scott and his secret design weapon, Debra Salmoni, unlock the rental potential of even the most uninspired properties. Finding and transforming tired, dated, and rundown spaces into unique and buzz-worthy Canadian cottage hotspots, the series proves that any dream property is always within reach if you follow Scott's Vacation House Rules.
THE WHITE LOTUS on HBO
A social satire set at an exclusive Hawaiian resort, the series follows the vacations of various hotel guests over the span of a week as they relax and rejuvenate in paradise. But with each passing day, a darker complexity emerges in these picture-perfect travelers, the hotel's cheerful employees, and the idyllic locale itself.
SECRET CELEBRITY RENOVATION on CBS
A new one-hour series that gives celebrities in sports, music and entertainment the chance to gift a surprise home renovation to a meaningful person who helped guide them to success. Hosted by Nischelle Turner (ENTERTAINMENT TONIGHT), SECRET CELEBRITY RENOVATION provides stars with a hands-on opportunity to show their gratitude to someone who has had a significant impact on their life's journey by helping to realize the renovation of their dreams. Those participating in making these heartfelt gifts include Emmy® and GRAMMY® Award-winning singer and choreographer Paula Abdul; award-winning singer-songwriter Lauren Alaina; Emmy®-winning actor and comedian Wayne Brady (LET'S MAKE A DEAL); NFL MVP and CBS sports analyst Boomer Esiason; GRAMMY®-winning artist Eve; Emmy®-nominated actor Jesse Tyler Ferguson; SURVIVOR winner "Boston" Rob Mariano; NBA All-Star Chris Paul; GRAMMY®-winning singer, songwriter and actor Anthony Ramos; and Pro Football Hall of Fame running back Emmitt Smith. The series also features the design team of home improvement contractor and television personality Jason Cameron ("Man Cave," "While You Were Out") and interior designer Sabrina Soto ("Design Star," "Trading Spaces").
ESCAPE TO THE CHATEAU on HGTV
Lieutenant colonel Dick Strawbridge and his partner Angel Adoree trade their English apartment for a dilapidated, 19th-century French chateau. The pair work to restore, renovate and redecorate the estate into a fairytale castle for their upcoming wedding.
YOU LIVE IN WHAT? INTERNATIONAL on HGTV
Architect George Clarke is on a mission to find inspiration for his outrageous, space-age concept house. His journey takes him around the world to meet the visionary people who build and live in some of the most unusual homes ever seen.
COUNTRY COUNTDOWN on The Circle Network
PODCASTS PRODUCED AT DYNAMIX
Democracy Optimist
Democracy Optimist is a thought-provoking public radio series and podcast that delves deep into the heart of democratic processes, elections, and voting rights to ask a simple but vital question: how do we sustain our democracy? The series is hosted by University of Kentucky Election Law research professor Joshua Douglas, a passionate advocate for civic engagement, and produced by WEKU.
The Cancer Crisis in Appalachia
Compelling stories from the next generation of leaders in the fight against cancer in Appalachia. From UK's Markey Cancer Center.
Tales of American History
with Kent Masterson Brown
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OUR MAILING ADDRESS IS:
Dynamix Productions, Inc.
333 N Ashland Ave, Ste 120
Lexington, KY 40502
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OUR MAILING ADDRESS IS:
Dynamix Productions, Inc.
333 N Ashland Ave, Ste 120
Lexington, KY 40502
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